E-book improvements favour professional publishers

E-books are becoming more sophisticated. But you're going to need professional-level skills to take advantage of the improvements

Creating an e-book is easy. Creating a professional-looking, classy e-book that stands out from the crowd takes skill and effort. And as e-book formats improve and start to offer greater flexibility and complexity, you're going to need advanced skills to really exploit their potential.

Kindle Format 8Not that long ago, Apple introduced iBook support for fixed format ePub files, aimed at publishers who want to produce picture books (photography, art, comics). And Amazon is in the process of introducing Kindle Format 8 (KF8). This is, essentially, an extension of the HTML commands supported by Kindle devices. Embracing HTML5 and CSS3, KF8 will ultimately make the .mobi and .azw formats currently used by Kindles obsolete. The advantage of KF8 is that it will allow for complex and creative page designs, with embedded images and rich media. Again, this is aimed at illustrated books.

The two most popular and successful e-books formats - Kindle (.mobi/.azw) and ePub - are essentially HTML web pages with various kinds of wrapping (mainly XML and, sometimes, copy protection). In essence, there's nothing difficult about them. But hand-coding HTML is tedious. That's why most of us use some kind of software packge to output the files.

You might create your book as a Word document and then have your e-book publishing service (Kindle, Smashwords, Lulu or whoever) convert the file to the formats you want. This is very easy, but it tends to produce pretty basic e-books. You may be missing a properly clickable chapter listing, for example.

At WebVivant Press, we lay out books in InDesign, output to ePub and do a little hand-coding on the resulting files. This produces high-quality e-books. However, this workflow isn't going to support KF8.

We may see tools come along soon that allow you to exploit all the possibilities of advanced formats such as KF8. But they're not here yet and, when they do arrive, they're likely to be expensive, professional-level packages, such as InDesign.

Adding rich content like video, animation and sound is no easy matter, either.

It's likely, then, that the only people with access to the skills and resources necessary to fully benefit from the advanced formats will be professional publishers (or self-publishers).

The self-publishing world is awash with shoddy, amateur works, thrown together by people with no real talent or training in book production. Of course, sometimes you may find a gem among the dross. But it's difficult to tell which books have been created by people with real skills and which hacked out over a weekend by some clueless wannabe.

The development of advanced e-book formats may give professionals a chance to differentiate themselves. Perhaps it may even save the publishing industry if enough people are motivated to seek out well-produced works. In the new self-publishing era, publishers need a reason to exist. That reason may be: quality.

 

Comments (1)

Tags: self-publishing e-books Kindle ePub KF8

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Bryce W. Drennan
Posts: 2
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It's deja vu all over again
Reply #1 on : Fri April 13, 2012, 18:57:48
If something saves the publishing industry, it won't be consumer demand for quality over price. The decline of quality in prepress is a metaphor that taps into the same elements of human nature. As the 90's and 00's progressed, word processors became more sophisticated, professional-level layout software became more powerful and more accessible to those with modest competency, PDF took hold, and hardware continually dropped in cost as its capacity and performance soared beyond the demands of prepress. The result was that people who were formerly required to rely on skilled prepress operators to achieve excellent quality, turned inward and handled it themselves less expensively. The work was of poor quality, but it was good enough. The difference in cost was not worth the increase in quality. As an operator, I went from spending 100% of my time on high-quality work that demanded the full range of my skill, to spending more like five or ten percent of my time on such work. The expanding capabilities available for ebooks will extend the current zenith, but new tools will emerge that allow the unskilled to produce mediocre quality. This will bring a shakeout among skilled ebook designers and technicians. Like a seasoned stock broker who, when he encounters the second market swell of his career, squirrels away his money as his younger colleagues splurge on sports cars, as I ride the wave of prosperity, I will be planning for new income sources in anticipation of the inevitable contraction that awaits us.